
Audio
over IP.....Are you ready for the remote broadcast revolution?
IP
broadcasting is not just the way of the future…it has already
arrived. It's inevitable that Telcos' will switch to VoIP and IP technologies
in order to survive in a world where millions of customers can already
talk across the world for free using their computers.
Audio
over IP is the next big remote broadcast revolution, and will soon
be available through our G3 Commander and i-Mix platforms making
them the world's first POTS, ISDN, GSM and IP-capable codecs.
Traditional
broadcasting mediums such as ISDN, POTS and GSM will increasingly
be replaced with broadband internet, Wi-Fi and high-speed cell phone
networks.
Using
Tieline codecs, you will have access to near-real time, high-quality
audio from remote locations over the internet including DSL, Wi-Fi
(802.11x), cable modems, high-speed data cell phones and satellite
IP networks.
 |
Figure
1: Calling the studio codec from a
remote codec over the internet. |
Configuring
your studio for high quality, low cost remote broadcasts
The
four steps, explained in detail on our website, are:
Step
1: Obtaining a wired, high-speed internet connection.
Step 2: Acquiring a Public (Static) IP address.
Step 3: Installing the Public IP and configuring
the Network Address Translation.
Step 4: Connecting the codec (via LAN port).
See www.tieline.com/ip/
for details.
Once
set up, you'll be equipped for various field conditions:
- Go completely wireless with a portable battery module or in-car
power cable and a Wi-Fi bridge connected to the codec's LAN port.
- In most cases, unsecured Wi-Fi routers will auto-assign an IP
address to the codec, allowing you instant access to the internet.
- If the venue has a DHCP LAN with broadband access, then connect
the codec to the LAN port, dial the studio and you're on the air.
It's that simple.
Upgrade options in the future
In this fast changing world, it is essential for broadcasters to
choose a codec that offers a growth path to their evolving needs
and offers investment protection against obsolescence.
As
your needs evolve, you can significantly expand our codec's capability
by adding network modules at a very low cost compared with buying
additional dedicated codecs.
Contact
us now to start producing the highest quality audio with the lowest
possible delay over wireless networks.
If
you're interested in trialing a G3 codec over IP, click
here to find an authorized dealer and request a free demonstration.
IP
codec features at a glance:
- Connect your remote field codec to an unsecured DHCP wired DSL
or Wi-Fi hotspot and dial back to the studio in SECONDS.
- Optimized for reliable operation over variable internet broadcasting
conditions.
- A range of algorithms to deliver 7kHz - 15kHz mono and stereo
at low bit rates plus uncompressed linear audio.
- Auto configuration of the remote codec from the dialing codec.
- Remote control your talents audio input from the studio. You
don't need technical support in the field.
- Simultaneous broadcasting over IP and your choice of POTS, ISDN
or GSM.
Click here..for more
detailed information on how to configure your studio for audio over IP
Live
reporting from a moving car!
It’s
one thing to report live from a stationary OB van, but it’s
quite a different story from a moving car! Reporters at Omrop Fryslan,
a European regional broadcaster are doing just that. Here’s
how they do it!
 |
Figure
2: Omrop Fryslan's reporters can connect to the studio with
the push of a button in their VW Polo. |
Omrop
Fryslan's editorial staff had put up a challenge: Design a car in
which reporters can set up a connection to the studio, walk in the
vicinity of the car with a portable transmitter and operate as simply
as possible - preferably using only one button!
“With this challenge in mind we started looking for a suitable
solution,” said Martin Wijbenga, co-ordinator of audio technology
at Omrop Fryslan.
The
entire installation, in the trunk of a VW Polo, consists of a Tieline
Commander G3 19”rack mount unit with POTS and GSM modules,
a Motorola GM340 talk back unit to the portable transmitter, a Sennheiser
VHF receiver and battery charger for the SER 20-4VHF portable transmitter
and a Victron converter. The roof of the Polo carries three different
antennae for the various systems.
Four
hot keys on the Tieline codec's front panel were programmed so that
with just a push of a button it connects to the studio and an internal
relay in the codec switches on the return channel of the portable
transmitter.
The
first hot key dials a POTS connection without the extra “0.”
The second one is pre-set with a “0” for PABXes. The
third hot key dials the GSM network. The fourth hot key sets up
a connection with the GSM network and activates the second audio
input.
Mounted
in the dashboard are a headphones output, audio input and a switch
to dial a connection from the passenger seat. What more could a
reporter wish for?
Reporting
from a moving car has proven to be a major success and offers far
better quality than a standard GSM cell phone. The reporters at
Omrop Fryslan are more than pleased with their new car's possibilities!
Distance,
speed, and location are no longer barriers.
Get
in the Game
It's
the sportscasters dream machine. The Tieline i-Mix G3 is an advanced
codec, commentary, communications, talkback and control interface
featuring audio over POTS, ISDN, GSM - and soon IP!
We've
combined the capability of SIX live remote broadcast products into
ONE 16” x 9” box weighing just 4lb and offering 15kHz
mono/stereo over ISDN, POTS, 7-15kHz over GSM - and soon IP!
The
i-Mix G3 was designed by sports-radio and live-television-event
broadcasting specialists to integrate communications, control and
programming functions while significantly reducing the set up time,
personnel, wiring and signal distribution costs and it does ALL
of that!
The
iMix G3 has six-input and three-output configurable digital mixing
capability including five switchable mic/line inputs, one auxiliary
and an analogue line input. An on-board telephone talkback interface
is also included for taking live callers in the field.
The
i-Mix features comprehensive control options, including a relay
and RS-232 control system for local and remote control of equipment
at either end of the codec link, plus control of the remote talent's
audio input levels from the studio.
More
options!
You
can add additional POTS, ISDN and GSM codec modules into the expansion
slot on the right hand side of the i-Mix G3 or unlock the internal
IP streaming software module to increase programming, mixing and
communications options.
The
optional plug-in GSM module delivers 7.5kHz audio over standard
GSM networks and up to 15kHz over High Speed Circuit Switched (HSCSD)
GSM networks. Simply dial between the GSM enabled codec to a landline-enabled
Tieline POTS codec. Use the battery module or vehicle power supply
for a complete wireless solution.
For
a free demonstration, fill out the feedback form on the back of
this newsletter, or see our website.
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